What do broadcasters wear

The archives will remain available here; for new stories, head over to Vox. Dismissed as a class, female war correspondents are often mythologized as individuals— their personal appearance included.

When the Vietnam conflict started, more women reported from the field due to a loophole — the U. War is not glamorous. War is not a style; ultimately, what you wear will preserve your life.

And yet, the public is hungry to know the habits of women like Colvin and Gellhorn, even at the expense of rewarding their work. I talked to several female conflict reporters to find out what women really wear when covering war— and what these choices reflect about the rigor of their reporting. Carter Journalism Institute. Women at risk for kidnapping are advised to bring a fake wedding ring and baby pictures to create empathy with the kidnappers, says Banco. However, there is a common denominator across all conflict reporting — the flak jacket.

These armored vests , which can be difficult to obtain, are often passed down from freelancer to freelancer. This effect is amplified by conservative norms abroad. Cool blues, taupe, tan and cream are wise choices in front of the camera.

For a more extreme look that still works well on camera, black and white or dark colors like navy and white always work well. Media Schools can help you prepare for a career as a news anchor. Take The Free Quiz! Answer: Typically, an anchor is a reporter in a local market before moving up to work for a national news network like CNN.

What do anchors do when they are not on the air? Answer: They can research background for an upcoming interview, scroll the wires, review upcoming scripts and get any questions answered. Newsroom Questions 1. What are the most common college degrees earned by the people in the newsroom? Answer: Journalism, English, communications, history, political science and general humanities degrees.

Who is "in control" on the newsroom floor? Answer: The executive producer and director are in charge in the main control room. Each segment or block of programming has a producer.

Dark-skinned people should avoid white and light colors. Colors also have meanings behind them. Blue is a calming color to which audiences respond well.

In many Western cultures, the color red means power and passion. These are useful traits to have on camera, but too much red could distract people or make your face look flushed. Other bright, hot colors like hot pink, orange, yellow, and purple can have the same effect. Standard TVs have horizontal scan lines that interfere with the vertical lines in close stripes or a corduroy suit, creating a wavy look.

You should avoid plaid and small, intricate designs for the same reason. Women should also avoid big, bright flower patterns. Solid colors look best on camera.